December 2022 Programming on the Criterion Channel Announced

Each month, the programmers at the Criterion Channel produce incredible line-ups for their subscribers. For December, the Channel will feature films from Jafar Panahi, Nathalie Álvarez Mesén, Atom Egoyan, and more!

Below you’ll find the programming schedule for the month, along with a complete list of titles that Criterion has in store for us. Don’t forget to check the Criterion Channel’s main page regularly though, as they occasionally will drop surprises that aren’t included in the official press release.

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TOP STORIES

Premiering December 1

Screwball Comedy Classics

Featuring an introduction by comedian and actor Patton Oswalt

First comes love, then comes anarchy—at least that’s how it works in the wild, upside-down world of classic screwball. Like a romcom on speed, the screwball comedy supercharges the genre with fizzy battle-of-the-sexes mayhem; fast-talking, diamond-cut dialogue; and a perfectly calibrated combination of escapist elegance and slapstick chaos. The result is golden-age Hollywood at its most exuberantly inventive and playfully subversive, flipping social, class, and gender norms on their head with gleeful, lunatic abandon. This holiday haul of favorites by masters of the genre such as Frank Capra (It Happened One Night), Howard Hawks (His Girl Friday), and Preston Sturges (The Lady Eve) as well as ripe-for-discovery gems (Theodora Goes Wild, Love Is News) runs riot with the sparkling wit, virtuoso performances, and sense of unstoppable fun that make screwball such a blast.

  • The Front Page, Lewis Milestone, 1931
  • Me and My Gal, Raoul Walsh, 1932
  • Twentieth Century, Howard Hawks, 1934
  • It Happened One Night, Frank Capra, 1934
  • My Man Godfrey, Gregory La Cava, 1936
  • Theodora Goes Wild, Richard Boleslawski, 1936
  • Love Is News, Tay Garnett, 1937
  • Easy Living, Mitchell Leisen, 1937
  • The Awful Truth, Leo McCarey, 1937
  • Holiday, George Cukor, 1938
  • Bluebeard’s Eighth Wife, Ernst Lubitsch, 1938
  • Midnight, Mitchell Leisen, 1939
  • His Girl Friday, Howard Hawks, 1940
  • The Lady Eve, Preston Sturges, 1941
  • Ball of Fire, Howard Hawks, 1941
  • Sullivan’s Travels, Preston Sturges, 1941
  • The Palm Beach Story, Preston Sturges, 1942
  • To Be or Not to Be, Ernst Lubitsch, 1942
  • The More the Merrier, George Stevens, 1943
  • The Miracle of Morgan’s Creek, Preston Sturges, 1944
  • Hail the Conquering Hero, Preston Sturges, 1944
  • Murder, He Says, George Marshall, 1945
  • It Happens Every Spring, Lloyd Bacon, 1949
  • Rhubarb, Arthur Lubin, 1951
  • You Never Can Tell, Lou Breslow, 1951

Snow Westerns

Snow, snow on the range … While the western traditionally evokes images of dusty, sunbaked deserts and parched plains, head north and you’ll find a wintry mix of snowbound frontier sagas that turn icy mountains and freezing tundra landscapes into dramatic, visually stunning backdrops for mythic tales of heroes, villains, and outlaws on treacherous treks through frigid temps. Spanning half a century, this collection of white-blanketed westerns brings together defining works by classical masters like Anthony Mann (The Far Country), William Wellman (Track of the Cat), and André de Toth (Day of the Outlaw) alongside revisionist genre reimaginings by iconoclasts such as Sam Peckinpah (Ride the High Country), Robert Altman (McCabe & Mrs. Miller), and Antonia Bird (Ravenous).

  • The Secret of Convict Lake, Michael Gordon, 1951
  • The Wild North, Andrew Marton, 1952
  • The Far Country, Anthony Mann, 1954
  • Track of the Cat, William A. Wellman, 1954
  • Day of the Outlaw, André de Toth, 1959
  • Ride the High Country, Sam Peckinpah, 1962
  • The Great Silence, Sergio Corbucci, 1968
  • Little Big Man, Arthur Penn, 1970
  • McCabe & Mrs. Miller, Robert Altman, 1971
  • Dead Man, Jim Jarmusch, 1995
  • Ravenous, Antonia Bird, 1999

The Beautiful Game: International Football Films

Soccer, er, football fans rejoice: just in time for the World Cup, this champion lineup of films celebrates the world’s most popular sport. Spanning pitches from Europe and Asia to Africa and the Middle East, these eclectic tales go well beyond the standard sports-movie clichés of adversity and triumph, crossing and subverting genres to examine the intersection of sport and culture. Stories of women who risk everything to participate (Offside, Freedom Fields), Shaolin monks who bring kung fu to the field (Shaolin Soccer), and one man’s obsessive quest to revolutionize the sport (Infinite Football) illustrate the power and worldwide impact of a phenomenon that is truly more than a game.

  • The Goalie’s Anxiety at the Penalty Kick, Wim Wenders, 1972
  • Forza Bastia, Jacques Tati and Sophie Tatischeff, 1978
  • Gregory’s Girl, Bill Forsyth, 1980
  • Shaolin Soccer, Stephen Chow, 2001
  • Offside, Jafar Panahi, 2006
  • The Second Game, Corneliu Porumboiu, 2014
  • Mirage, Szabolcs Hajdu, 2014
  • Infinite Football, Corneliu Porumboiu, 2018
  • Freedom Fields, Naziha Arebi, 2018
  • Diamantino, Gabriel Abrantes and Daniel Schmidt, 2018

Tessa Thompson’s Adventures in Moviegoing

Anchoring both high-profile blockbusters like the Creed and Thor franchises and acclaimed, adventurous indies like Sorry to Bother You and Passing, actor and producer Tessa Thompson has emerged as one of the most intriguing and versatile performers of her generation. In this edition of Adventures in Moviegoing, Thompson sits down with Criterion curatorial director Ashley Clark to discuss acting legends like Angela Bassett and Al Pacino, as well as the films that have had a lasting impact on her understanding of the art. Encompassing the ravishing bossa nova beauty of Marcel Camus’s Black Orpheus, the wildly unrestrained sensuality of Jean-Jacques Beineix’s Betty Blue, and the jagged surrealist comedy of Janicza Bravo’s Lemon, her selections offer a menu of bold, transportive, and immersive moviegoing experiences.

  • Black Orpheus, Marcel Camus, 1959
  • Cléo from 5 to 7, Agnès Varda, 1962
  • Black Girl, Ousmane Sembène, 1966
  • Touki bouki, Djibril Diop Mambéty, 1973
  • Tampopo, Juzo Itami, 1985
  • Betty Blue, Jean-Jacques Beineix, 1986
  • Poetry, Lee Chang-dong, 2010
  • Lemon, Janicza Bravo, 2017

Exclusive Streaming Premieres

Monday, December 5

Marx Can Wait

1968 was the year Camillo died. Nearly fifty years after the death of his twin brother at the age of twenty-nine, acclaimed director Marco Bellocchio (Fists in the Pocket) gathers his family to reconstruct Camillo’s disappearance. Combining intimate conversations with the Bellocchio family and those who knew Camillo best with archival material, home movies, and his own films, Marco attempts to manifest a ghost he has been dealing with his entire life. What begins as a family conversation morphs into a profoundly moving investigation into grief, guilt, compassion, and love from one of Italian cinema’s greatest directors.

Monday, December 12

Cane Fire

The Hawaiian island of Kauaʻi is seen by many as a paradise of leisure and pristine natural beauty, but these escapist fantasies obscure the colonial displacement, hyperexploitation of workers, and destructive environmental extraction that have actually shaped life on the island for the last 250 years. This illuminating documentary critically examines the island’s history—and the various strategies by which Hollywood has represented it—through four generations of director Anthony Banua-Simon’s family, who first immigrated to Kauaʻi from the Philippines to work on the sugar plantations. Assembled from a diverse array of sources—from Banua-Simon’s observational footage to amateur YouTube travelogues to epic Hollywood musical sequences—Cane Fire offers a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as “extras” in their own story.

Wednesday, December 14

Clara sola

This revelatory first feature from Nathalie Álvarez Mesén is a mesmerizing portrait of a woman in the process of taking ownership of her body and self. In a remote village in Costa Rica, forty-year-old Clara (Wendy Chinchilla Araya in a stunning screen debut) endures a repressively religious and withdrawn life under the command of her mother (Flor María Vargas Chavez). Her uncanny affinity for creatures large and small allows Clara to find solace in the natural world around her. Tension builds within the family as Clara’s niece (Ana Julia Porras Espinoza) approaches her quinceañera, igniting a sexual and mystical awakening in Clara and inaugurating a journey to free herself from the strictures that have dominated her life.

Criterion Collection Editions

Premiering December 1

Tootsie: Criterion Collection Edition #738

Dustin Hoffman lands the role of a lifetime in this funny, cutting, and poignant look at an American moment defined by shifting social and sexual identities.

SUPPLEMENTAL FEATURES: Audio commentary by director Sydney Pollack, interviews with Dustin Hoffman and comedy writer Phil Rosenthal, two documentaries on the making of the film, deleted scenes, and more.

Exotica: Criterion Collection Edition #1150

Atom Egoyan’s mesmerizing international breakthrough takes the conventions of the psychological thriller into bold new territory—unsettling, dreamlike, and transcendently empathetic.

SUPPLEMENTAL FEATURES: Egoyan’s 1993 feature Calendar, audio commentary by Egoyan and composer Mychael Danna, a conversation between Egoyan and filmmaker and actor Sarah Polley, short films by Egoyan, and more.

McCabe & Mrs. Miller: Criterion Collection Edition #827

This unorthodox dream western by Robert Altman may be the most radically beautiful film to come out of the New American Cinema.

SUPPLEMENTAL FEATURES: Audio commentary by Altman and producer David Foster, a documentary on the making of the film, interviews with cinematographer Vilmos Zsigmond, television appearances by Altman, and more.

Three Dimensions

Thursday, December 1

3X Jafar Panahi

The brilliant Iranian auteur Jafar Panahi was sentenced to six years in prison in July 2022, after refusing to stop making urgent, perceptive films when he was banned from the profession in 2010. With NO BEARS, his latest film, coming out in December, there’s no better time to revisit three of his most beloved masterpieces, all of which view modern Iran through the eyes of young girls.

  • The White Balloon, 1995
  • The Mirror, 1997
  • Offside, 2006

Saturday Matinees

Saturday, December 3

The Rink

Charlie Chaplin straps on a pair of skates and hits the roller rink in a sublime display of his balletically graceful slapstick style.

Saturday, December 10

Rhubarb

Feline acting legend Orangey the Cat stars as a feral tabby who inherits a Brooklyn baseball team(!) in this uproariously absurd screwball charmer.

Saturday, December 17

Three Wishes for Cinderella

This enchanting Czech Christmas classic updates the beloved fairy tale with a woodsy wintertime setting and a refreshingly spirited, assertive heroine.

Saturday, December 24

The Big Bad Fox and Other Tales

This hilarious, heartwarming tale of animal misfits is graced with a visual spontaneity that harkens back to classic Looney Tunes shorts.

Saturday, December 31

April and the Extraordinary World

A riveting sci-fi adventure unfolds in an alternate steampunk universe in this breathtaking fantasy born from the imagination of renowned graphic novelist Jacques Tardi.

True Stories

Monday, December 5

Docunight Presents: Iranian Women’s Stories

An initiative of the Kiarostami Foundation, Docunight is a streaming platform dedicated to documentaries from and about Iran. As Iranian women protest for a say in the future of their society, Docunight presents four piercing works by female filmmakers, which examine the parts that marriage and religion play in shaping gender roles, while celebrating women who’ve carved out their own destinies through martial arts and filmmaking. These documentaries present rebellious and independent characters whose struggles echo the Kurdish slogan that today’s movement in Iran has adopted as its own: Woman, Life, Freedom.

  • Here the Seats Are Vacant, Shiva Sanjari, 2016
  • The Broker, Azadi Moghadam, 2018
  • Radiograph of a Family, Firouzeh Khosravani, 2020
  • Platform, Sahar Mosayebi, 2021

Monday, December 19

American Movie

It takes a village to make a movie—but what happens when that village is Menomonee Falls, Wisconsin? This cult-favorite documentary captures one DIY filmmaker’s bizarre, comical, and poignant quest to make his movie, his way.

Monday, December 26

Spettacolo

A tiny Tuscan town confronts the end of its way of life through the transformative power of theater.

More documentaries featured in this month’s programming:

  • Forza Bastia, Jacques Tati and Sophie Tatischeff, 1978
  • The Second Game, Corneliu Porumboiu, 2014
  • Infinite Football, Corneliu Porumboiu, 2018
  • Freedom Fields, Naziha Arebi, 2018
  • Cane Fire, Anthony Banua-Simon, 2020
  • Marx Can Wait, Marco Bellocchio, 2021

Women Filmmakers

Wednesday, December 7

Three Films by Mai Zetterling

Featuring a new introduction by critic Alicia Malone

A fearlessly transgressive, long-overlooked pioneer of feminist cinema, Swedish actor turned director Mai Zetterling ruffled the feathers of the patriarchal establishment with a string of bracingly modern, sexually frank, and politically incendiary films focused on female agency and the turbulent state of twentieth-century Europe. Her peerless ability to render subjective psychological states with startling immediacy is on display in Loving Couples, Night Games, and The Girls—three provocative, taboo-shattering works from the 1960s featuring some of Swedish cinema’s most iconic stars. With their audacious narrative structures that fuse reality and fantasy, their elaborate use of metaphor and symbolism, and their willingness to delve into the most fraught realms of human experience, these movies are models of adventurous, passionately engaged filmmaking.

  • Loving Couples, 1964
  • Night Games, 1966
  • The Girls, 1968

Wednesday, December 21

An Education

Carey Mulligan delivers a luminous, star-making performance in this captivating coming-of-age tale sparkling with the charm and style of 1960s Britain.

Wednesday, December 28

Ravenous

You are what you eat in Antonia Bird’s wickedly subversive, Donner Party–inspired cannibal satire.

More women filmmakers featured in this month’s programming:

  • Cléo from 5 to 7, Agnès Varda, 1962
  • Forza Bastia, Jacques Tati and Sophie Tatischeff, 1978
  • Gasman, Lynne Ramsay, 1998
  • Lemon, Janicza Bravo, 2017
  • Spettacolo, Jeff Malmberg and Chris Shellen, 2017
  • Freedom Fields, Naziha Arebi, 2018
  • All the Crows in the World, Tang Yi, 2021
  • Clara sola, Nathalie Álvarez Mesén, 2021
  • Like the Ones I Used to Know, Annie St-Pierre, 2021
  • Melting Snow, Janah Elise Cox, 2021

Short-Film Programs

Tuesday, Dec 6

Food Flights

All the Crows in the World and Tampopo

A pair of absurdist tales use the ritual of the shared meal as a springboard to explore social roles, human connection, and communion with a sardonic twist.

Tuesday, Dec 13

The Headhunter’s Daughter

Song and landscape merge sublimely in this cosmically poetic evocation of a young Filipina woman’s journey to become a country singer.

Tuesday, Dec 20

Holiday Shorts

A stocking stuffer of holiday shorts captures both the magic of the season and the melancholy of what can be the loneliest time of year. From a cozy stop-motion bauble (A Christmas Dream) to striking early works by renowned directors like Lynne Ramsay (Gasman) and Miguel Gomes (Christmas Inventory), these by turns festive, funny, and poignant films are proof that sometimes small gifts are the best of all.

  • A Christmas Dream, Karel Zeman, 1945
  • Gasman, Lynne Ramsay, 1998
  • Christmas Inventory, Miguel Gomes, 2000
  • Bad Night for the Blues, Chris Shepherd, 2010
  • Wren Boys, Harry Lighton, 2017
  • Like the Ones I Used to Know, Annie St-Pierre, 2021
  • Melting Snow, Janah Elise Cox, 2021

Tuesday, Dec 27

Road Blocks

Tattoo and The Mirror

Two tales of transit reveal the patriarchal structures that shape life in Iran as women and girls navigate bureaucracy, the city, and the limits of their autonomy.

Double Features

Friday, Dec 2

Vie académique

Footnote and My Sex Life … or How I Got into an Argument

Two films scale the ivory tower to explore the posturing and politics of academic life.

Friday, Dec 9

Santasmagoria

Brazil and The City of Lost Children

It’s steampunk Santa vibes all the way in two darkly imaginative visions of the holiday season as a dystopian fever dream.

Friday, Dec 16

Jolly Good Christmas

This Sporting Life and The Long Day Closes

Lindsay Anderson and Terence Davies employ contrasting aesthetic sensibilities to portray British Christmas stories full of turmoil and longing.

Friday, Dec 23

Joyeux Noël

My Night at Maud’s and A Christmas Tale

Gallic tidings we bring in two tales of Yuletide friction, connection, and ennui courtesy of French masters past and present.

New Additions to Previous Programs

Now Playing in ’80s Horror: Christine

A high-school nerd’s possessive and possessed 1958 Plymouth Fury unleashes its jealousy in a killing rampage in this sleek Stephen King adaptation from genre master John Carpenter.

Complete list of films premiering on the Criterion Channel this month:

  • All the Crows in the World, Tang Yi, 2021
  • American Movie, Chris Smith, 1999
  • April and the Extraordinary World, Christian Desmares and Franck Ekinci, 2015*
  • Artaud Double Bill, Atom Egoyan, 2007*
  • The Awful Truth, Leo McCarey, 1937
  • Bad Night for the Blues, Chris Shepherd, 2010
  • Ball of Fire, Howard Hawks, 1941
  • The Big Bad Fox and Other Tales, Benjamin Renner and Patrick Imbert, 2017
  • Bluebeard’s Eighth Wife, Ernst Lubitsch, 1938
  • The Broker, Azadi Moghadam, 2018
  • Celluloid Man, Shivendra Singh Dungarpur, 2012
  • Christine, John Carpenter, 1983
  • Day of the Outlaw, André de Toth, 1959
  • Diamantino, Gabriel Abrantes and Daniel Schmidt, 2018*
  • Easy Living, Mitchell Leisen, 1937
  • En passant, Atom Egoyan, 1991*
  • The Far Country, Anthony Mann, 1954
  • Freedom Fields, Naziha Arebi, 2018
  • The Girls, Mai Zetterling, 1968
  • The Goalie’s Anxiety at the Penalty Kick, Wim Wenders, 1972
  • The Great Silence, Sergio Corbucci, 1968
  • Gregory’s Girl, Bill Forsyth, 1980
  • Hail the Conquering Hero, Preston Sturges, 1944
  • The Headhunter’s Daughter, Don Josephus Raphael Eblahan, 2022
  • Here the Seats Are Vacant, Shiva Sanjari, 2016
  • His Girl Friday, Howard Hawks, 1940
  • Holiday, George Cukor, 1938
  • Infinite Football, Corneliu Porumboiu, 2018
  • It Happened One Night, Frank Capra, 1934
  • It Happens Every Spring, Lloyd Bacon, 1949
  • The Lady Eve, Preston Sturges, 1941
  • Little Big Man, Arthur Penn, 1970
  • Love Is News, Tay Garnett, 1937
  • Loving Couples, Mai Zetterling, 1964
  • McCabe & Mrs. Miller, Robert Altman, 1971
  • Me and My Gal, Raoul Walsh, 1932
  • Midnight, Mitchell Leisen, 1939
  • Miracle of Morgan’s Creek, Preston Sturges, 1944
  • Mirage, Szabolcs Hajdu, 2014
  • The More the Merrier, George Stevens, 1943
  • Murder, He Says, George Marshall, 1945
  • My Man Godfrey, Gregory La Cava, 1936
  • Night Games, Mai Zetterling, 1966
  • The Palm Beach Story, Preston Sturges, 1942
  • Peep Show, Atom Egoyan, 1981*
  • Platform, Sahar Mosayebi, 2021
  • Poetry, Lee Chang-dong, 2010
  • Radiograph of a Family, Firouzeh Khosravani, 2020
  • Ravenous, Antonia Bird, 1999
  • Rhubarb, Arthur Lubin, 1951
  • Ride the High Country, Sam Peckinpah, 1962
  • The Second Game, Corneliu Porumboiu, 2014
  • The Secret of Convict Lake, Michael Gordon, 1951
  • Shaolin Soccer, Stephen Chow, 2001
  • Spettacolo, Jeff Malmberg and Chris Shellen, 2017
  • Tattoo, Farhad Delaram, 2019
  • Theodora Goes Wild, Richard Boleslawski, 1936
  • Three Wishes for Cinderella, Václav Vorlíček, 1973
  • Tootsie, Sydney Pollack, 1982
  • Track of the Cat, William A. Wellman, 1954
  • Trouble in Paradise, Ernst Lubitsch, 1932
  • Twentieth Century, Howard Hawks, 1934
  • The White Wall, Stig Björkman, 1975
  • The Wild North, Andrew Marton, 1952
  • You Never Can Tell, Lou Breslow, 1951

Premiering December 5

  • Marx Can Wait, Marco Bellocchio, 2021

Premiering December 12

  • Cane Fire, Anthony Banua-Simon, 2020

Premiering December 14

  • Clara sola, Nathalie Álvarez Mesén, 2021

*Available in the U.S. only

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